Great Western Photographic Exhibition (BPE) is NOW open for entires  –  CLICK FOR MORE INFO

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Bristol Salon is NOW open for entires  –  CLICK FOR MORE INFO

Meet the tutors

Each session in the club and on location will be run and supported by volunteer photographers with a wealth of experience, knowledge and areas of photographic interest. Meet some of them below…

Linda Meaton  | Course Coordinator 

I am a retired university and college lecturer specialising in Computer-Aided Design and Visualisation. Since retiring, I have taken up photography and now work as an events photographer, collaborating with various companies, sports clubs, and charities on their event days. Here’s one of my favourite photos.

Steve Taylor | Composition

I am Course Lecturer Steve Taylor and I will be talking to you about the essentials of composition on the opening evening of the course.

My composition talk provides an introduction to the course and gets you looking at lots of images with a critical eye and thinking about what makes a good image.

I have many decades of experience in photography and although I tend to specialise in nature, landscape and travel, I will photograph just about anything, selling my images worldwide for publication in newspapers, magazines, books and TV.

Rachel Domleo – Phone photography and creative editing

I am Rachel Domleo and, as a photographer, I will be guiding you through the principles, techniques, fun and most of all the rewarding results that both creative editing and smartphone photography can bring to your photographic journey. 

I have been passionate about photography for many years.  I have enjoyed a career in commercial design and have always used photography as an antidote to a busy and sometimes stressful job.

I enjoy many genres of photography from abstract to studio and everything in-between.  My passion is creative photography, with many images created in post processing, to produce imaginative and individual images, some of which can be seen on my website.

Jeff Hargreaves – Motion photography

I shall be talking about Motion in several ways, Freezing motion, motion blur, Panning, intentional camera movement play a crucial role in capturing dynamic scenes and enhancing visual storytelling. 
Also, the use of multiple exposure with intentional camera movement.
I have been taking pictures since I was at school which is now a very long time. My interests are Sport; landscape Close up photography and other subjects. I am now retired from specialist electrical engineering work in industry.

Mary Pears – Natural History Prt1

My part of the Nature photography segment of the course will be to help optimise opportunities to get close to subjects, suggested techniques, fieldcraft, locations and ideas for different subjects.

I moved out to a country station in Scotland when I was five and immediately came  in contact with wildlife subjects such as red deer, red squirrels and various other animals and birds. My love of nature began then and has stayed with me. 

I didn’t take up photography till 2009 when I bought my first digital camera, but my choice of subject was never in any doubt, so I have been taking wildlife photos since then. I love taking photos of UK wildlife although it is often difficult due to lack of subjects and the fact that many subjects are very shy, so it is often challenging.

I also take photos of urban foxes and badgers in my garden.

Graham Pears – Natural History Prt2

My talk follows on from Mary’s. Both are about UK wildlife. Hers is primarily about creating the opportunity. Mine is primarily about how to get the shot. 

Mary bought me a camera in 2011, then taught me how to use it, which she did to great effect having attended the BPS course!

Photography captures the beauty in nature like nothing else can, revealing incredible detail and freezing action, both of which are invisible to the naked eye. The opportunities for artistry are endless.

Mike Martin – Finding the light, basic and creative editing, studio photography and portraiture

Mike is a keen, amateur photographer, but don’t let that fool you; he’s very competitive, creative, knowledgeable and displays a very professional approach to his hobby.

He has attained a number of distinctions and awards in international and national competitions, as well as regularly lecturing to other camera clubs, judging and providing critique on images, sharing his knowledge with others.  Mike is also a Fotospeed Ambassador and assessor for distinctions with the Disabled Photographers Society and has written articles for the Royal Photographic Society and SWPP as well as photography magazines.

Mike runs the club’s weekly studio group; photos from those sessions regularly feature amongst the winners in club competitions.  He also co-ordinates the club’s entries into external competitions so knows what makes an image work and how to pick a winner.

On this course, you’ll benefit from his enthusiasm for photography, with Mike providing critique on your images, an introduction to portrait and studio photography, image editing. 

Simon Caplan

Now in my mid 60s, I retired very early from a successful career in Public Relations and Communications and ever since then photography has become a passion.  I enjoy almost any kind of photography – from architecture and architectural details; abstracts and landscapes to environmental portraiture and still life. I am well known throughout the West of England and beyond as a lecturer and competition judge. To see some examples of my work either visit my website or my Flickr stream. The latter is a good place to start as I add new work there all the time. I also have an Instagram account.

Contact Us

Using the Contact Form

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By Post

Unit 13
Montpelier Central
Station Rd
Montpelier
Bristol, BS6 5EE

Still Life

Design elements such as composition, symmetry, and the hero object are important in storytelling because they highlight key themes and emotions. You will learn how colour theory plays a role in this by affecting mood and perception. Together, all these elements create a clear visual language that effectively shares ideas and engages the audience.

Portraiture

This session covers techniques for studio photography, emphasising controlled environments with artificial lighting. It addresses camera settings, lighting arrangements, and posing strategies for various subjects, including portraits and products, alongside a practical session.

Creative Editing

Compositing and editing are important in digital media, showing what is creatively possible. Compositing is the process of combining different visual elements into a single picture, while editing involves changing and organising these elements to tell a story or convey a message. Together, they provide a smooth experience for viewers and
expand the possibilities of creativity in visual storytelling.

Travel Photography

Capturing the essence of the people, place, and culture, be it at home or abroad.  Street photography.

Basic Editing

In this session, we’ll explore basic editing techniques such as cropping, straightening, changes to contrast, colour, saturation, conversion to black and white, removal of distractions, etc, using Adobe Lightroom. This will include a live demo on some of your photos.

Natural History Photography

Part 1 – Optimising opportunities to get closer to wildlife subjects, offering hints and Aps for achieving this goal. Providing fieldcraft techniques and practical advice to help create ideal situations for photographing various subjects. The emphasis will be on UK wildlife and subjects that can be more easily observed locally.

Part 2 – Application of technical fundamentals of photography to nature subjects – build on what you have learned so far. Explore what makes a good nature image, and how to achieve that. 

Motion Photography

Key photography techniques such as freezing motion, motion blur, panning, and intentional camera movement play a crucial role in capturing dynamic scenes and enhancing visual storytelling.

Phone Photography

How to Capture Professional-Looking Photos with Your Mobile Phone

In today’s smartphone era, anyone can become a skilled photographer. By incorporating a few simple tips and tricks, you can elevate your mobile photography expertise and produce stunning images that effectively tell your story.

Finding Light 24 hours a day

This session looks at photographic opportunities throughout the day and night. We’ll explore different weather and atmospheric conditions, sunny, cloudy, misty, shadows and shade, interior, early morning, late evening, and into the night finding artificial lighting from buildings, street furniture, adding light with strobes, torches, LEDs, before
rounding up with the night sky, stars, moon, star trails, aurora and ending with a bang capturing fireworks.

Aperture & Depth of Field

To effectively manage depth of field (DoF) and shutter speed, it’s crucial to consider both the subject distance and lens focal length.  Analysing images taken during field trips can provide valuable insights into how these factors influence photo composition and overall quality.

Exposure Triangle

Mastering photography requires understanding the relationship between aperture, shutter speed, and ISO. Knowing camera modes like Program (P), Manual (M), and Aperture/Shutter Priority (Av/Tv) allows for effective manipulation of these settings. Practising these concepts will improve your skills in capturing stunning images under different lighting conditions.

Composition

An awareness of photography concepts, such as the Rule of Thirds, Leading Lines, Framing, and symmetry, is essential for creating impactful images. Focusing on your intended subject and leaving out distracting details can dramatically enhance your images. Understanding negative space and balance enhances composition, while Perspective and Viewpoint influence the perception of the subject. Incorporating Depth and Layering adds dimension to photographs. These techniques will be practised in a later session for better understanding. 

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