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Distinctions Advice Group

The aim of the group is to provide advice and offer guidance as to how to prepare a submission to the Royal Photographic Society (RPS) and Photographic Alliance of Great Britain (PAGB) distinctions, for both organisations, entries are judged by a panel of 5.

We will review panels ready for submission, those that are in the early stages of preparation and general advice on printing and DPIs.

RPS
Licentiate
Associate
Fellowship

PAGB
Badge
Credit
Distinction
Excellence
Master

RPS

There are 3 levels

Licentiate

This for projected images only these days and requires a submission of 12 images. There is only one category.

Entries will be judged by ZOOM and entries must be submitted using a template from the RPS website. The most popular format is 2 rows of 6 images.

Below is an extract from the RPS website.

‘These are editable PDF documents. They are compatible with both Mac & PC, we recommend ensuring that you have the most up to date version of Adobe Acrobat or Adobe Reader installed. (Adobe Reader is free to install and use).

  1. Clicking on any of the templates will open the file within a new web browser window.
  • Please ensure you downloaded your chosen template to your computer as you are unable to use them within your web browser. You can do this by right clicking anywhere on the document and selecting ‘Save As’ or by clicking the download icon.
  • Before adding your image to the PDF, first collate your final selection of images and save thumbnails of each (we suggest using a small file size were possible, for example 1400×1050, 72ppi,.jpg.
  • Open the PD! and add your thumbnail to it by clicking on the picture boxes above each number.
  • When you are happy with your presentation you can click ‘Save As’ or print to a PDF. You can also export the PDF as a Jpeg if you use Adobe Acrobat.
  • Presentation layouts must not contain your name or any other personally identifiable information for the purposes of the assessment.

Please note: These PDI’s are not compatible with mobile or tablet devises. Use of these templates is not mandatory.

If you would like to use your own layout design, we request that you create your own presentation layout with thumbnail of your images so we are aware of how you would like your photographs displayed for assessment.

If you feel confident using tables within a word document, please feel free to use this template as an alternative method’.

Associate

This is for 15 prints or DPI’s.

There are 9 categories and the most popular are Visual Art, Nature, Applied and Travel.

Prints must form a cohesive panel of usually 2 or 3 rows.

PDI’s are judged as a sequence and must flow naturally from one picture to the next.

Fellowship

This we do not normally cover, but can still offer advice, The RPS requires a submission of 20 or 21 pictures.

Details as for the Associateship.

The RPS website shows successful panels for mall levels.

PAGB

There are 5 levels that are held for life.

Pictures are judged sequentially and do not have to form a panel.

Pictures are given a score of between 2 and 5.

There are no categories, so pictures do not need a theme.

DPI 1600 by 1200 format. Areas smaller must be filled with black.

Prints must be on 50 by 40 cm mounts.

Badge (BPAGB) 

for prints only

7 prints required, 125 points needed to pass.

Credit  (CAPGB)

10 prints or DPI’s, 200 points needed.

Distinction (DPAGB)

15 prints or DPI, 300 points needed.

Excellence (EPAGB)

Only open to DPAGB holders.

Must have held a DPAGB for 11 months and new work required.

15 prints or DPI’s required, 330 points needed.

Master (MPAGB)

20 prints or DPI required, 450 points needed

Entrants must have held a DPAGB for 11 months.

Advice given by Andrew Marker, Ralph Snook and Peter McCloskey.

The websites contain useful information. and show successful panels.

Contact Us

Using the Contact Form

If you have any questions please contact us using the form on the right, selecting a recipient from the dropdown menu.

Please Note: If you are contacting the Society with information that you would like circulated to all members, please send your request to the Newsletter Editor ONLY.

By Post

Unit 13
Montpelier Central
Station Rd
Montpelier
Bristol, BS6 5EE

Still Life

Design elements such as composition, symmetry, and the hero object are important in storytelling because they highlight key themes and emotions. You will learn how colour theory plays a role in this by affecting mood and perception. Together, all these elements create a clear visual language that effectively shares ideas and engages the audience.

Portraiture

This session covers techniques for studio photography, emphasising controlled environments with artificial lighting. It addresses camera settings, lighting arrangements, and posing strategies for various subjects, including portraits and products, alongside a practical session.

Creative Editing

Compositing and editing are important in digital media, showing what is creatively possible. Compositing is the process of combining different visual elements into a single picture, while editing involves changing and organising these elements to tell a story or convey a message. Together, they provide a smooth experience for viewers and
expand the possibilities of creativity in visual storytelling.

Travel Photography

Capturing the essence of the people, place, and culture, be it at home or abroad.  Street photography.

Basic Editing

In this session, we’ll explore basic editing techniques such as cropping, straightening, changes to contrast, colour, saturation, conversion to black and white, removal of distractions, etc, using Adobe Lightroom. This will include a live demo on some of your photos.

Natural History Photography

Part 1 – Optimising opportunities to get closer to wildlife subjects, offering hints and Aps for achieving this goal. Providing fieldcraft techniques and practical advice to help create ideal situations for photographing various subjects. The emphasis will be on UK wildlife and subjects that can be more easily observed locally.

Part 2 – Application of technical fundamentals of photography to nature subjects – build on what you have learned so far. Explore what makes a good nature image, and how to achieve that. 

Motion Photography

Key photography techniques such as freezing motion, motion blur, panning, and intentional camera movement play a crucial role in capturing dynamic scenes and enhancing visual storytelling.

Phone Photography

How to Capture Professional-Looking Photos with Your Mobile Phone

In today’s smartphone era, anyone can become a skilled photographer. By incorporating a few simple tips and tricks, you can elevate your mobile photography expertise and produce stunning images that effectively tell your story.

Finding Light 24 hours a day

This session looks at photographic opportunities throughout the day and night. We’ll explore different weather and atmospheric conditions, sunny, cloudy, misty, shadows and shade, interior, early morning, late evening, and into the night finding artificial lighting from buildings, street furniture, adding light with strobes, torches, LEDs, before
rounding up with the night sky, stars, moon, star trails, aurora and ending with a bang capturing fireworks.

Aperture & Depth of Field

To effectively manage depth of field (DoF) and shutter speed, it’s crucial to consider both the subject distance and lens focal length.  Analysing images taken during field trips can provide valuable insights into how these factors influence photo composition and overall quality.

Exposure Triangle

Mastering photography requires understanding the relationship between aperture, shutter speed, and ISO. Knowing camera modes like Program (P), Manual (M), and Aperture/Shutter Priority (Av/Tv) allows for effective manipulation of these settings. Practising these concepts will improve your skills in capturing stunning images under different lighting conditions.

Composition

An awareness of photography concepts, such as the Rule of Thirds, Leading Lines, Framing, and symmetry, is essential for creating impactful images. Focusing on your intended subject and leaving out distracting details can dramatically enhance your images. Understanding negative space and balance enhances composition, while Perspective and Viewpoint influence the perception of the subject. Incorporating Depth and Layering adds dimension to photographs. These techniques will be practised in a later session for better understanding. 

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